Tag Archives: artistic

Reginal Walter Coulter (1904 Christchurch, New Zealand – c.1972 Sydney, Australia) Part One

Coulter bower bird

R.W. Coulter, The Bower Bird, c. 1933, ink drawing, image sourced from the children’s book, The Bubble Galleon: A holiday pantomime by Ernest Wells illustrated by R.W. Coulter, Sydney: Angus & Robertson, 1934

One of Australia’s leading and most prolific illustrators, cartoonists once lived in Berowra. Born in New Zealand Reginald Walter Coulter known as Reg was a gifted cartoonist, illustrator, printmaker and writer and as a regular contributor to The Bulletin from the 1920s through to the 50s his works were highly regarded amongst this readership. He studied art at the Julian Ashton art school in Sydney which led to a job as an illustrator for the Woman’s Mirror and the magazine the Aussie.

His versatility in the medium produced an array of witty and at times sardonic cartoons and caricatures. His Aussie sense of humour mixed with socio-political commentary witnessed titles such as Belt into him comrades, 1931 ink on paper and It’s a ‘ard life, 1930, ink cartoon of a schoolboy. During the Second World War, he produced cartoons that depicted loss and a sense of yearning for home but touched with great wit and humor, which was an important ingredient for instilling morale both on the war and home fronts. Coulter continued to contribute to The Bulletin throughout the 1950s, highly recognised these works were subsequently published in Joan Kerr’s ground-breaking book, Artists and Cartoonists in Black and White, 1999. One of the cartoons titled This year the Mutual Admiration Art Society is going all-out for the Archibald Prize, 1958, shows two male artists identical in looks and dress – wearing berets, sandals and Grecian style tunics and another pair of men identical painting each other ‒ a send-up of the vanity behind the making of self-portraits by male artists and at the same time having a dig at the “in-crowd”. Perhaps he was also alluding to the gender inequality of the Archibald Prize at the time.

Reg and his wife Eve moved to Berowra in 1958. Reg built a unique stone cottage using flagstone sourced from the Berowra estate, stylistically akin to a fairy-tale type house. Here surrounded by magnificent views of the bush, Coulter’s illustrations further developed to encapsulate the Berowra bushland and its native wildlife. Reg Coulter’s cartoons are represented in the National Museum of Australia, National Library of Australia and the State Library of New South Wales.

Rhonda

Note: If you have any Reg Coulter illustrations or cartoons in your collection at home we would be very interested to hear from you.

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The Berowra History Paintings by artist David Lever

Cumberoona Motors by David Lever

Over the last five decades Berowra artist David Lever has embarked on a fascinating journey to know the social, cultural and built environment history of Berowra. In 1995, after retiring from the workforce David took up painting under the master tuition of one of Australia’s leading artist’s Garry Shead. David’s abilities as an artist soon became apparent and before too long he produced with great ardency a series of paintings based on the history of Berowra.  David has vividly captured the essence and atmosphere of Berowra that prompts within the viewer the urge to look much deeper within each painting. The works have a slight cinematic feel that places the viewer within the imaginative field of the painting convincing in its unfolding narrative.

The painting shown here of Cumberoona Motors is now the site of the BP Garage in Berowra. David has set the scene in the mid ‘60s when the garage was owned by the Corrigan family. Seen in the background of this painting is one of Corrigan’s buses, the local bus company which serviced the entire Berowra community.  There was a small flat attached to the back of the garage which was called the Wombat Flat. Various family members lived there.

David is recording history that draws upon the way a community has interacted with the environment and how those places and sites he so finely depicts becomes part of Berowra’s Living and evolving History.

David Lever’s Berowra series of paintings will be released on this blog over the forthcoming period, so don’t miss the next instalment.

If you would like to see more works by David Lever, please visit his website.

Rhonda

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